《欧洲的某个地方》是1948年上映的其它剧情电视剧，导演是Radványi,Géza，主演包括Artúr,Somlay,Miklós,Gábor,Zsuzsa,Bánki。影片的剧情《欧洲的某个地方》是一部以虚构的欧洲小镇为背景的爱情喜剧电影。影片讲述了主角们在小镇上发生的一系列温馨而搞笑的故事，通过他们的生活经历，展现了小镇居民间的情感纠葛和成长过程。豆瓣内容: Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.影片中，Artúr Somlay饰演的是一名热爱音乐的小镇青年，他对音乐充满热情，梦想着能成为世界知名的歌手。在一次偶然的机会下，他遇见了Miklós Gábor饰演的小镇上的老一辈音乐人。在与这位老艺术家的交流中，Artúr不仅得到了宝贵的音乐指导，还学会了如何面对生活中的挑战。Miklós Gábor在与Artúr的对话中说道：“音乐是生命中最美的语言，它能够跨越时间和空间，连接人心。”与此同时，Zsuzsa Bánki饰演的角色是一名勇敢追求爱情的年轻女性，她对小镇的传统习俗持有质疑态度，并努力推动小镇走向现代化。在她的坚持下，小镇举办了一场别开生面的国际文化节，吸引了众多游客的目光。面对小镇的保守观念，Zsuzsa Bánki的台词充满了坚定：“改变总是需要勇气，但只有改变才能让我们的小镇变得更加美好。”《欧洲的某个地方》通过这三个角色的故事，展现了小镇居民之间的相互帮助、共同成长，以及对美好生活的不懈追求。在这个虚构的世界里，每个人都在用自己的方式，为小镇带来新的活力和希望。欧洲的某个地方剧情片完整版免费在线观看地址：http://www.jinshujiagong.com/v/10375.html
