《不安》是1954年上映的其它剧情电视剧，导演是罗伯托·罗西里尼，主演包括英格丽·褒曼,马蒂亚斯·维曼,雷娜特·曼哈特。影片的剧情《不安》是一部聚焦于家庭情感纠葛与心理挣扎的心理剧。影片通过三个演员细腻的表演，探讨了人类内心深处的不安与恐惧。豆瓣内容: Whenever I see La Paura I think of it as a companion piece to Eyes Wide Shut, or maybe it is the other way around. Adultery makes both films tick but in different ways. I think Phillip French was right on the money when he pointed out a Wizard of Oz thing in Kubrick's last work. Like Dorothy, Tom and Nicole go through fantasies and nightmares and at the end Dorothy's reassuring childish motto "there's no place like home" is ironically updated to the adult circumstantial adage "there's no sex like marital sex". Kubrick's take is intellectual, he never leaves the world of ideas to touch the ground. He taunts the audience first with an erotic movie and then with a thriller and refuses to deliver either of them. He was married to his third wife for 40 years, until he died. Rossellini was still married to Ingrid Bergman when he directed La Paura; they had been adulterous lovers and their infidelity widely criticized La Paura is a tale, a noirish one. The noir intrigue is solved and the tale has a happy ending. The city is noir; the country is tale, the territory where childhood is possible. The transition is operated in the most regular way: by car, a long-held shot taken from the front of the car as it rides into the road, as if we were entering a different dimension. Irene (Bergman) starts the movie: we just see a dark city landscape but her voice-over narration tells us of her angst and informs us that the story is a flashback, hers. Bergman's been cheating on her husband. At first guilt is just psychological torture but soon expands into economic blackmail and then grows into something else. From beginning to end the movie focuses on what Bergman feels, every other character is there to make her feel something. Only when the director gives away the plot before the main character can find out does he want us to feel something Bergman still can't. When she finds out, we have already experienced the warped mechanics of the situation and we may focus once again on the emotional impact it has on Bergman's Irene. In La Paura treasons are not imagined but real, nightmares are deliberate and the couple's venom suppurates in bitter ways. Needless to say, Ingrid has another of her rough rides in the movies but Rossellini doesn't dare put her away as he did in Europa 51, nor does he abandon her to the inscrutable impassivity of nature (Stromboli). His gift is less transcendent and fragile than the conclusion of Viaggio in Italia. He just gives his wife as much of a fairy tale ending as a real woman can have, a human landscape where she can finally feel at home. Back to the country, a half lit interior scene where shadows suggest the comfort of sleep. After all, it's the "fairy godmother" who speaks the last words in the movie.首先，我们有女主角英格丽·褒曼，她饰演一位深陷婚姻危机的女性，面对着内心的情感矛盾与外界的压力。她的台词：“我试图理解他，但我只是无法接受他的改变。”这句话道出了她对丈夫转变的困惑和不解，同时也表达了她在情感世界中的挣扎。其次，马蒂亚斯·维曼所扮演的角色是一位看似平静但内心波涛汹涌的父亲。他的台词：“我不明白为什么，我总是感到不安。”这句话揭示了他内心的不安全感和对未知的恐惧，反映了角色在家庭和生活中的焦虑状态。最后，雷娜特·曼哈特则饰演一个充满智慧和同情心的朋友，为女主角提供了支持与理解。她的台词：“每个人都有自己的不安，关键是找到面对它们的方式。”这句台词不仅体现了她对朋友的理解和支持，也传递了一种积极的生活态度，鼓励人们直面内心的不安，寻找解决之道。三位演员通过各自的角色，共同构建了一个关于家庭、情感和自我探索的故事，展现了人物在面对内心不安时的复杂情感和成长过程。不安剧情片完整版免费在线观看地址：http://www.jinshujiagong.com/v/10456.html
